Output logging, a debugging feature that is only enabled at build time
if I need to chase down some audio mixing or output bug, was not logging
anything at all. Change to use Cocoa file writing methods, and actually
implement the output writer function again.
This code is left disabled 99% of the time anyway, and especially in
release builds. Like the node logging code elsewhere, it has the
potential to be very noisy and consume massive amounts of disk space.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Output format mostly requires stopping and restarting the output device,
and this also prevents us from using the latency function properly,
which apparently always returns 0 for output devices anyway. These
changes also prevent the output callback from hanging when resets occur.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Fix default output device logging, and also the preferences if no
default device happens to be set.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Move the DSPs to the output node, so they don't get closed and reopened
across each file. Also restructure the output handler to buffer a little
on its own, to account for track switch activity.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Cleaned up project settings to current defaults, except for the macOS
deployment version, which is still 10.13. Cleaned up a lot of headers
and such to include with angle braces instead of double quotes. Enabled
build sandbox in a lot of places. Disabled subproject signing in several
places, for libraries and frameworks which will be stripped and signed
when they are copied into place in the final build.
Also, while trying to solve compilation issues, the visualization
controller was reverted to the Objective C implementation, which is
probably faster anyway. Stupid Swift/Objective-C language mixing issues.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Seeking should clear the buffers completely now, and will be nearly
instant, depending on how fast the input can decode.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Seeking now mutes properly, and will not leave the audio muted across
other operations. Audio output changes should also mute and destroy the
buffers of the input chain, so that the audio resets properly.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Visualization now buffers in the audio output pipeline, and uses a
container system to delay multiple buffer chains from emitting
visualization data over top of each other. This should stabilize
display output significantly, while introducing minimal lag before
DSP configuration changes take effect.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Audio Chunks now have full timestamp accounting, including DSP playback
speed ratio for the one DSP that can change play ratio, Rubber Band.
Inputs which support looping and actually reporting the absolute play
position now do so.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
The last of the built-in processors is now in the threaded processing
chain, and all DSPs are marked high priority and with short buffers.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
This class can more flexibly process and emit varying chunk sizes than
the previous code could, solving the problem of wide tempo changes.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Now there's a configuration dialog for tweaking the settings
in semi-real time. Everything that can be changed without
restarting is changed without restarting, otherwise the audio
pipeline is reset, which happens quickly enough anyway.
Awaiting translation to Spanish, other languages have been
removed pending their maintainers fixing most of their
problems, which includes me being lazy and AI translating
bits so I could rush updates.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
I will implement the more complex setup of providing options for
most of the configuration that Rubber Band provides, at a later
date, when I feel like creating a complex configuration dialog
for it, and asking for help translating every option and setting.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Implements a simple speed control using a resampler
designed for real time changes. A rubberband speed
control will be implemented at a later date.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
This reverts usage of the AVFoundation output to use
the previous lower latency CoreAudio output, and
paves the way for a change I am cooking up soon.
Fixes several issues with playback and seeking latency.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
This output may prove to have lower latency, but the results are too
glitchy to really be usable. Not even visualization latency is handled
correctly.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
The output now uses AVSampleBufferAudioRenderer to play all formats, and
uses that to resample. It also supports Spatial Audio on macOS 12.0 or
newer. Note that there are some outstanding bugs with Spatial Audio
support. Namely that it appears to be limited to only 192 kHz at mono or
stereo, or 352800 Hz at surround configurations. This breaks DSD64
playback at stereo formats, as well as possibly other things. This is
entirely an Apple bug. I have reported it to Apple with reference code
FB10441301 for reference, in case anyone else wants to complain that it
isn't fixed.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Only uninitialize the equalizer if sound output was successfully started
and the equalizer AudioUnit was successfully ininitialized.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Now it allocates audio workgroups per thread, using work slices like the
Apple documentation describes for asynchronous threads.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
On Big Sur or newer, it is possible to join the audio threads to the
same OS workgroup as the audio output device, improving response.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Replace overlap-add vDSP/Accelerate implementation with a faster PFFFT
overlap-save implementation, using fewer FFT steps as well.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
The quality of the equalizer dialog is now up to par with what we had
before, minus all the crashes.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Borrowing some DFT code from deadbeef, this implements a simple spectrum
visualization into the main toolbar of the app.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Now the output is restarted on the current file at the current position
if the output format has changed. This should resolve the issue finally.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
This implements the basic output and mixing support for channel config
bits, optionally set by the input plugin.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
Rewrite attempt number two. Now using array lists of audio chunks, with
each chunk having its format and optionally losslessness stashed along
with it. This replaces the old virtual ring buffer method. As a result
of this, the HRIR toggle now works instantaneously.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
After all this rewriting, down or upmixing the audio is now handled with
the lowest latency possible, meaning that toggling the HRIR option now
takes effect immediately.
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
This seals up a major memory leak of the playback state whenever a chain
is released on stop or on manual track change. CogAudioMulti was
retaining the input node due to its listeners, and InputNode was not
releasing the listeners when asked to stop running. This is fixed now.
Fixes#221
Signed-off-by: Christopher Snowhill <kode54@gmail.com>
